This
spoken word piece by Gil Scott-Heron was originally released on his 1970 album,
Small Talk at 125th and Lenox.
It is about the fight for racial equality and its non-existence in media.
Gil is confessing
his outrage with the way the media is driven for and controlled by white
people. In the lyrics, Scott-Heron makes
a number of references to pop culture of the 1970s. This
is a way of using figurative meaning.
For instance, he says, “The revolution will not be brought to you by the
Schaefer Award Theatre and will not star Natalie Wood and Steve McQueen or
Bullwinkle and Julia.” These were icons
of that time, and throughout the piece Scott-Heron uses them to outline the
fact that people know so much about fantasy characters, actors and actresses,
and business ads, but are unaware of what is going on with the Black
revolution.
Also, since this is a completely emotion-filled opinion
about the goings-on of this era, this song can be attributed as lyrical
poetry. The tone of the piece is angry
and forceful. On the recording,
Scott-Heron’s voice is booming and loud as he speaks over a simple drumbeat.
About 5 years
before this song was created, Malcolm X had been murdered. And in 1968, Martin Luther King Jr. was
shot. The fight for racial equality
seemed to be in the balance, as two of its most prominent leaders were killed
off. Instead of succumbing to fear, some people stood up in this fight. At the
end of the song, Scott-heron says, “the revolution will be no re-run brothers,
the revolution will be live.” In saying this, he ensures that whether or not
people are made aware of the tragedies befalling the Black race, their fight
for equal rights will continue.
Nice work on the critiques. Thorough.
ReplyDeleteMake sure to include the lines you are using in your post as well.
Keep it up. Make sure to spend a little more time on structure vs. just content.