Sunday, December 9, 2012

Hip Hop Wars: Chapter 10 Critique


It’s tough not to critique both chapters, since commenting on the way hip hop demeans women and the fact that no ones talks about the positive messages given in the genre are both very appetizing subjects.  But since I must choose one, I will go with Chapter 10 – mostly since hip-hop demeaning women has been a recurring topic in the book already.  I haven’t really sided with the defenders in most of my chapter critiques, since most of the arguments for commercial hip-hop being the way it is are copouts.   
I must say I love the quote Rose uses by David Banner.  Because it not only outlines some problems with hip-hop’s critics, but it also outlines flaws in news media.  Rose once again gives a great viewpoint from both sides of the argument – it is completely true that people do not pay attention to the positive parts of hip-hop; that it “contributes to a one-sided and already negative portrait of artists, fans, and others associate with hip-hop.” 
At the same time, though, part of this is the artists’ own doing.  Most hip-hop artists contribute to their own infamy by using the negative images to gain their own wealth.  Like usual, the argument being presented is somewhat correct, but is flawed.  However, I’d rather speak of the argument credibly for the time being. 
I sympathize with the fact that people don’t see the positive side of hip-hop, whether it be artists giving back to their community or the literal sense that there are songs with positive messages.  This is because my mother can’t stand to listen as soon as she hears a swear word.  Kendrick Lamar recently released a fantastic, thought-provoking album.  In, “The Art of Peer Pressure,’ he begins with, “sit down and listen to this true mothafuckin’ story by Kendrick Lamar on Rosecrans ya bitch.”  She instantly became flustered and said this is not music.  Before she had even gotten through ten seconds of the song, she wrote it off. 
            Now, I’m sure that there’s a good amount of hip-hop critics out there that aren’t as conservative as my mom.  That is, they don’t view the biggest problem about hip-hop being the use of harsh language.  This especially must be true since there aren’t as many people showing outrage with television programs or movies, in which the same language is used just as often.  As I’ve said, Rose does expose those for and against this argument, but even given the fact that it is flawed, I still agree with it.  

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